录制音乐的出现非常类似于BEC
1 分•作者: -Zero•大约 9 小时前
我观察到，录制音乐的出现类似于玻色-爱因斯坦凝聚。
在录制音乐出现之前，现场表演就像一种高熵的流体气相。每一次表演都是一个局域的、不可重复的波函数——每一次表演都根本上是动态且独特的。
录音技术的出现充当了一种量子冷却机制。它将声波捕获到一个固定的状态，将无限的流体变化坍缩成单一的、固定的、相同的数字格式。当全球数百万听众收听完全相同的音频文件时，他们都在同时体验一个固定的、同步的波函数。录制音乐有效地将流动的瀑布变成了一个永久的、反熵的常数。
我期待听到其他人对此想法的看法。这是我第一次在这个论坛上发帖。我打算很快再发一些。
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I observe that the advent of recorded music resembles a Bose-Einstein Condensate.
Before recorded music, live performance operated like a fluid, high entropy gas phase. Every performance was a localized, unrepeatable wave function–fundamentally moving and unique each performance.
The advent of recording technology acted as a quantum cooling mechanism. It trapped the sound waves into a fixed state, collapsing in infinite fluid variations into a single, frozen, identical format of data. When millions of people across the globe listen to the exact same audio file, they are all experiencing a locked, synchronized wave function simultaneously. Recorded music effectively turned a fluid waterfall into a permanent, anti-tropic constant.
I look forward to hearing other people's opinions on this idea. This is my first submission on this forum. I intend to put some more up soon.